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"Khmer Costumes & Ornaments: After the Devata of Angkor Wat" by Sappho Marchal. Plate XXX.

Book Review of Costumes of the Devata of Angkor Wat by Sappho Marchal

A mystery. How is it that in 1927, a 23-year-old woman understood more about the diversity of the 1,800 devata goddesses at the Khmer temple of Angkor Wat than mainstream scholars would see for the 80 years?

Equipped with nothing but a pad of paper and a pencil, Sappho Marchal was the first person to begin a quantitative analysis of the symbolism encoded in the royal female portraits immortalized in Angkor Wat. Who are these women? What hierarchy do they represent? Chances are the answers to these questions are portrayed in Sappho’s clear drawings.

Bayon Devata Goddesses of King Jayavarman VII

Bayon Devata Goddesses of King Jayavarman VII

On the towers above, serene faces gaze out over the jungle. But below, Jayavarman VII followed the example of King Suryavarman II by filling his monument with female energy. The portraits of sacred women, now called devata or apsaras depending on their style, surround the Bayon.

Khmer Devata Goddesses at Thommanon Temple the Gate of Victory

Khmer Devata Goddesses at Thommanon Temple the Gate of Victory

The small, elegant Khmer temple of Thommanon is located just outside the Gate of Victory that gives access to the ancient walled city of Angkor Thom from the east. Directly to its south is the small temple of Chau Say Tevoda, currently under restoration.

Preah Khan Temple Khmer Devata Goddesses of Darkness

Preah Khan Temple Khmer Devata Goddesses of Darkness

These photos reveal a few of the “Devata of Darkness”: images of Cambodia’s sacred women called devata — sometimes inaccurately referred to as apsaras — hidden from the light of day in passages beneath the collapsed structure. Preah Khan temple Khmer devata goddesses of darkness